
Culture Consulting for Museums: Space Design that Transcends Materiality
Bṛhat specializes in culture consulting to aid the design of meaningful heritage experiences for media, museums, and public spaces.
Dhīti is a blog for long form essays, expressions of civilizational voice, cinema and literature review, and more.
Bṛhat specializes in culture consulting to aid the design of meaningful heritage experiences for media, museums, and public spaces.
The making of modern Baroda: Sayajirao Gaekwad III and the power of education.
A reflection to move past borrowed rituals and rediscover the Bhāratīya paramparā that makes birthdays meaningful, sustainable, and spiritually enriching.
The piece reflects on the gap between how culture is lived and how it is administered, drawing on insights from anthropology, public policy, and personal fieldwork. It builds on thinkers like Akhil Gupta, James Ferguson, Ashis Nandy, Sudipta Kaviraj, and Partha Chatterjee to argue for a more dynamic, responsive, and culturally intelligent approach to policy making.
From the binaries of post-Independence cinema to the nihilism of contemporary crime dramas, and from the everyday realism of Phulera to its recent slippage into self-conscious performance, the article considers how and why the village continues to be reimagined in TV shows/movies.
Sir Jadunath Sarkar & R.C. Majumdar didn't spend lifetimes crafting rigorous Indian historiography just to see it buried under colonial guilt. NCERT's 'Exploring Society - India and Beyond' isn't 'saffronization'—it's honest history that finally serves Bharatiyata over colonial narratives. Real scholarship was never the problem. Shame was.
This essay revisits Pt. Deendayal Upadhyaya’s vision of integral humanism, and explores the contours of a Dhārmika State grounded in civilizational values.
A reflective piece that traces how our developmental gaze in India has long imagined the river as a fixed line to be mapped, managed, and monumentalized while ignoring the more intimate, seasonal logic of wetness that has traditionally shaped our relationship with water.
The piece offers a civilizational critique of Ramachandra Guha’s recent work Speaking with Nature. It attempts to foreground indigenous, Vaidika, and dhārmika perspectives on environmental ethics as lived ontology deeply embedded in our texts, practices, and lifeworlds rather than modern ideology.