Dhīti is a blog for long form essays, expressions of civilizational voice, cinema and literature review, and more.
In this Navarātrī Photo Feature, Devī Durgā is captured as an enduring source of inspiration, depicted in various painting forms in India. She represents qualities such as resilience, aesthetic appeal, and metaphysical potency that are beyond geographical and chronological limitations.
The importance of Dharma in differentiating humans from other species, guiding us to churn our minds and nurture better thoughts and words, akin to collecting pure, white butter from curd.
An exploration on how the concept of self-realisation employed in modern environmental philosophy has its roots in Indian Philosophy.
In this concluding part we bring home the narrative. Set within a specific historic context, and considering all the data available, what can we conclude about this famous Ṛgvedic event.
Exploring Gaumukh as the Wellspring of Indic Civilization, the trek transforms into a profound pilgrimage, revealing the spiritual, immortal, and beautiful essence of Mā Gaṅgā.
In this part, we examine and parse the data mentioned in the texts where thorough backing is uncovered for the out-of-India Theory, with Bhārata being the proto-Indo-European homeland.
The various attributes and symbolism of the Bhagvatī Kālī, including her association with the charnel ground (śmaśāna), her garland of skulls (muṇḍamālā), and her role as the protector and giver of blessings (vara and abhaya).
The short story “Matabari”, featuring Lalita Tripura Sundari’s mandir in Tripura, how individuals and families continue to hold on to dharma in the wake of an imploding society.
In this essay series, using substantiated frameworks for out-of-India migrations, and Paurāṇika genealogy, Sudās of the Ṛgveda is introduced as the man who ushered in proto-Bhāratavarṣa.