Draṣṭā // Course

Introduction to Hindu Iconography 3.0

Following the resounding success of two editions of Hindu Iconography by Śrī Ramakrishna Kongalla last 2 years, we bring the third edition of 'Introduction to Hindu Iconography 3.0'. Building on widespread interest and enthusiasm, this course will now be offered in two levels: a Beginner Edition Feb - Mar 2025 and an Advanced Level, tentatively scheduled for May 2025. The beginner level will introduce seekers to the major iconography on temple walls, and provide a glimpse into the cosmic symbolism of Sanātana Dharma. The advanced level will offer a deeper and a more comprehensive analysis of the philosophy, meaning, metaphors and symbolism of our deities, motifs and the creative expanse of our śilpakalā artists, their methods and worldviews.

25 Feb - 09 Mar 2025 Completed

Overview

शिल्पं हि परमपूज्यं सर्वदर्शनलक्षणम्' ।
सर्वप्रमाणरूपाय साकारतत्त्वमेव च ॥
- Śilparatnakōśa ॥ ३ ॥

As per Śilparatnakośa, Śilpa is the most venerated of all the darśanas as visual testimony; and the Devālayams are home to sacred śilpa (including art, mūrtis, intricate designs and secular themes). Numerous inscriptions across the country attest that temples not only served as the abodes of divinity, but also patronized different facets of Bhāratīya culture. For over two millennia, various rulers and dynasties erected temples to upkeep Dharma, with many texts enlisting the benefits of temples as harbingers of peace, fame, wealth, grain, progeny and mokṣa.

With a drastic reduction in temple construction activities in the last 200 years, the science and meaning behind their construction and art has vanished from public discourse. Today, a temple remains just a place of worship for Hindus, most of whom are inattentive to the symbolism and meaning of the śilpa on temple walls. Every design and mūrti in a Hindu temple is carved for a purpose, with a codified message to be delivered to the next generations. The temple that helped a Hindu climb the spiritual ladder through śilpa, today remains an objective structure due to a lack of interpretation. With the aim of re-fostering appreciation, this course will aim to instill the values of Svayambodha (knowledge of ourselves), through a complete interpretation of the Hindu temple from spiritual and philosophical perspectives and Saundaryabodha (knowledge of beauty and aesthetics) - the ability to identify all the Gods and Goddesses with their dedicated elements, and know the reason behind the specific placement of a mūrti. 

This course will discuss the śilpakalā on the temple walls, study the techniques of identifying them despite their ransacking and plunder during Islamic invasions, and interpret the hidden message that these sculptures offer.

Contents

Day 1

Introduction and Evolution of Hindu Iconography :

Books: Jābāla Upaniṣad, Ṛgveda, The Nighaṇṭu & the Nirukta, Śvetāvatara Upaniṣad, Vedic Roots of Hindu Iconography, Coins of Ancient India, Epigraphia Indica.

Day 2

Classification of Sculpture of Hindu Devatā with Mudrās (Śarīra, Pāda, Hasta) :

Books: Elements of Hindu Iconography, Vāstu-Śāstra, Bṛhat Saṃhitā, Matsya Purāṇam, Agni Purāṇam, Iconography of Southern India, The Development of Hindu Iconography.

Day 3

Description of the Āyudhas and Vāhanas of Hindu Devatā :

Books: Elements of Hindu Iconography, Encyclopedia of Indian Iconography, Vāstū-Śāstra, Bṛhat Saṃhitā, Matsya Purāṇam, Agni Purāṇam, Many Heads Arms & Eyes.

Day 4

Āditya, Agni, Dvādaśāditya, Navagrahas, Aṣṭadikpālas, Gaṇapati :

Books: ṚgVeda, The Nighaṇṭu & the Nirukta, Vyāsa Navagṛaha Stotrama, Aṣṭadikpāla Stotrama, Elements of Hindu Iconography, Encyclopedia of Indian Iconography, Vāstū-Śāstra, Bṛhat Saṃhitā, Matsya Purāṇam, Agni Purāṇam, Many Heads Arms & Eyes.

Day 5

Viṣṇu and His Forms :

Books: Viṣṇu Purāṇam, The Nighaṇṭu & the Nirukta, Prasāda Maṇḍanam, Aparājita Pṛcchā, Elements of Hindu Iconography, Encyclopedia of Indian Iconography, Vāstū-Śāstra, Many Heads Arms & Eyes.

Day 6

Śiva and His Forms :

Books: Śrīmat Kāmikāgama, Śrī Rudram Namakam Camakam, The Nighaṇṭu & the Nirukta, Prasāda Maṇḍanam, Aparājita Pṛcchā, Elements of Hindu Iconography, Encyclopedia of Indian Iconography, Vāstū-Śāstra, South Indian Images of Gods & Goddesses.

Day 7

Brahmā, Brahmā Consort, Śakti, forms of Śakti :

Books: Devī Māhātmya, Saptamātṛkā Stotrama, Puranic Encyclopedia, Elements of Hindu Iconography, Encyclopedia of Indian Iconography, Vāstū-Śāstra, South Indian Images of Gods & Goddesses.

Day 8

Prominent Visible Elements of Hindu Temples (Praṇāla, Kīrtīmukha, Prabhāvali, Lalāṭabimba, Udumbara, Mandāraka, Dvārapāla, Nadī devatā, Dvājastambha, Vāhana Maṇḍapa, Bhārakas, Thāras, Māruts, Toraṇas, Gaja Siṃha Dvāras, Kapili, Anuprastha, Bhadra, Pātra, Vajra etc) :

Books: Skanda Purāṇam, Indian Art, Samarāṇgana Sātradhāra, Prasāda Maṇḍanam, Aparājita Pṛcchā, Vāstū-Śāstra, Studies in Indian Temple Architecture, Puranic Encyclopedia.

Session Recordings

Introduction and Evolution of Hindu Iconography

Day 1

Introduction and Evolution of Hindu Iconography

Classification of Sculpture of Hindu Devatā with Mudrās (Śarīra, Pāda, Hasta)

Day 2

Classification of Sculpture of Hindu Devatā with Mudrās (Śarīra, Pāda, Hasta)

Description of the Āyudhas and Vāhanas of Hindu Devatā

Day 3

Description of the Āyudhas and Vāhanas of Hindu Devatā

Āditya, Agni, Dvādaśāditya, Navagrahas, Aṣṭadikpālas, Gaṇapati

Day 4

Āditya, Agni, Dvādaśāditya, Navagrahas, Aṣṭadikpālas, Gaṇapati

Viṣṇu and His Forms

Day 5

Viṣṇu and His Forms

Śiva and His Forms

Day 6

Śiva and His Forms

Brahmā, Brahmā Consort, Śakti, forms of Śakti

Day 7

Brahmā, Brahmā Consort, Śakti, forms of Śakti

Prominent Visible Elements of Hindu Temples (Praṇāla, Kīrtīmukha, Prabhāvali, Lalāṭabimba, Udumbara, Mandāraka, Dvārapāla, Nadī devatā, Dvājastambha, Vāhana Maṇḍapa, Bhārakas, Thāras, Māruts, Toraṇas, Gaja Siṃha Dvāras, Kapili, Anuprastha, Bhadra, Pātra, Vajra etc)

Day 8

Prominent Visible Elements of Hindu Temples (Praṇāla, Kīrtīmukha, Prabhāvali, Lalāṭabimba, Udumbara, Mandāraka, Dvārapāla, Nadī devatā, Dvājastambha, Vāhana Maṇḍapa, Bhārakas, Thāras, Māruts, Toraṇas, Gaja Siṃha Dvāras, Kapili, Anuprastha, Bhadra, Pātra, Vajra etc)

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Key Takeaways

Connect to Bhārata's spiritual core

Learn the what, why and how of Hindu Iconography and how śilpakalā, like every other element in our knowledge system, is a tool on the path of spirituality.

Gain a new lens

This course aims to cultivate a refined eye for aesthetics and foster a deep appreciation for śilpakalā, celebrating the richness of our glorious knowledge systems.

Engage with a circle of seekers

Stay connected and learn from a vibrant peer group of temple enthusiasts who share your passion, wonder and curiosity.

Interactive learning

Through worksheets, handouts, session wise quizzes and real time feedback, reinforce your learnings.

Certificates

Participants will receive certification from Bṛhat upon successful completion of the course.

Who is this course for?

  • 1. Students and working professionals of all disciplines who appreciate saundaryabodha (knowledge of beauty and aesthetics).
  • 2. Parents and teachers who wish to pass on an informed understanding of śilpa to the next generation.
  • 3. Anyone looking to acquire proficiency in Indian Knowledge Systems through Hindu Iconography

Know your Instructor

Ramakrishna Kongalla

Ramakrishna Kongalla

Śrī Ramakrishna Kongalla is an assistant professor of Indian Culture and Heritage at the Indian Institute of Tourism and Travel Management (IITTM), Government of India (GOI), Gwalior. A member of the parliamentary committee of Arts for Central Vista, he is a photographer and photoshopper at heart, working for the Reclaim Temples movement.

His interests include photographing temples across India and digitally reconstructing the ruined temples to their original forms. His specialisation is Heritage Interpretation, and he has travelled extensively in Bhārata, training tour guides across the country. He is also one of the content writers for the IITFC online course by the Ministry of Tourism, GOI, along with serving as a mentor for the Ministry of Education Indian Knowledge Systems (IKS) initiative under National Education Policy (NEP) 2020.

He is active on social media and writes extensively on Temple Architecture and their Iconography with handles like lost_temples & @artist_rama.

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